Stop.
Ground Fault is a Quake map made in a timeframe of just under 48 hours, for SM227 – Thunderbolts and Lightning. It introduced a set of new power-ups: mini versions of the Quad Damage, Biosuit, and Pentagram, and was built around just one idea: the map needs to include a Thunderbolt (lightning gun).
I started by choosing the cr8 texture set for the map, since I felt it suited the Thunderbolt theme with its electric-themed switches and panels. It also features a lot of grimy metal, which I thought fit some ideas I had around gameplay with water, primarily coupling the lightning gun’s discharge with the mini-pentagram.

I also made some attempts to integrate a fair amount of verticality once more, with multiple walkways stacked on top of each other in the main hall. Overall, I think it came together nicely given the time involved. The only thing I wish I could have done more of was tighten up the combat, especially in the last room.
There are 9 maps in total in the pack, with my personal favorites being A Marshmallow Dream, The Lightning Lock, and Frankenstein or Supersham-bler.

More Sand Than Oil is my contribution to Quake Brutalist Jam 2.
Atmosphere and visuals were my focus for this one. I brought it to life with some custom rain sound effects, as well as blending sand with concrete brutalism. Of course, throwing in a few references to Front 242 didn’t hurt either.
I have to admit that playing the first Quake Brutalist Jam was one of the things that made me pursue Quake mapping. I’ve played mods for Quake for a very long time while lurking just outside of the community, but never thought that about making my own. Then, I was presented with a stunning collection of art pieces that people were bringing to life inside this old game.
I found and downloaded Trenchbroom, and I was hooked.
Some notes on inspiration and my process for this map follow below.

